We had candles and oil wheels, strobes going, sometimes just total darkness in the studio. At the same time, minimalist songs like "April 5th," "Chameleon Day," and the B-side "It's Getting Late in the Evening" pointed towards the band's next direction. The Colour of Spring became Talk Talk's most successful album, selling over two million copies and prompting a major world tour. A total of sixteen musicians appeared on the album around the core of Hollis and Friese-Greene. Instead, musicians improvised with their instruments for many hours, then Hollis and producer Tim Friese-Greene edited and arranged the performances to get the sound they wanted. The band no longer had to rely on synthesizers. This gave Talk Talk the money needed to hire additional musicians to play on their next album, The Colour of Spring (1986). Hollis partly attributed the shortcomings of their early music to a financial need to use synthesizers in place of acoustic instruments.Īlthough critics did not favour the band's early output, the first two albums were commercially successful in Europe. From the start, Hollis cited jazz and impressionist artists like Miles Davis, John Coltrane, Béla Bartók and Claude Debussy as major influences, but the first two Talk Talk albums, The Party's Over (1982) and It's My Life (1984), did not readily reflect such influences critics compared the band to contemporary new wave groups, especially Duran Duran. Talk Talk, led by singer Mark Hollis, formed in England in the early 1980s. In 2013, NME ranked Spirit of Eden at number 95 in its list of the " 500 Greatest Albums of All Time". Despite its mixed reception, the album's stature grew more favourable in subsequent years, with contemporary critics describing Spirit of Eden as an early progenitor of the post-rock genre. Compared to the success of 1986's The Colour of Spring, it was a commercial disappointment. Spirit of Eden was a radical departure from Talk Talk's earlier and more accessible albums. These long-form recordings were then heavily edited and re-arranged into an album in mostly digital format. Often working in darkness, the band recorded many hours of improvised performances that drew on elements of jazz, ambient, blues, classical music, and dub. The songs were written by vocalist Mark Hollis and producer Tim Friese-Greene and the album was compiled from a lengthy recording process at London's Wessex Studios between 19. Spirit of Eden is the fourth studio album by English band Talk Talk, released in 1988 on Parlophone Records.
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